In January 2010 Joshua Bell performed six classical pieces wearing jeans and a baseball cap in front of a trash basket at L'Enfant Plaza in Washington DC with an open violin case at his feet. He played Bach's "Chaconne", one of the most intricate pieces ever written, on his $3.5 million Gibson ex Huberman Stradivarius. In 45 minutes over 1,000 people passed by; seven stopped what they were doing to hang around and take in the performance, at least for a minute. Twenty-seven gave money, most of them on the run - for a total of $32
Gene Weingarten's Washington Post article compares it to the tree in the forest and asks:
She and her collaborators at the Post say:
There was no demographic (sex, race, ...) distinction to those who showed some interest except for the behavior of one demographic, which remained absolutely consistent. Every single time a child walked past, he or she tried to stop and watch. And every single time, a parent scooted the kid away. 3 year old Evan, the cute black kid in the parka, son of Sheron Parker, who keeps twisting around to look at Joshua Bell, was the most persistent. The poet Billy Collins once laughingly observed that all babies are born with a knowledge of poetry, because the lub-dub of the mother's heart is in iambic meter. Then, Collins said, life slowly starts to choke the poetry out of us. It may be true with music, too. Post reporters collected phone numbers from 40 people saying they wanted to contact them about commuting. They were asked if anything unusual had happened to them on their trip into work. Only one, John Picarello, immediately mentioned the violinist. Picarello had studied violin seriously, intending to be a concert musician, but ended up a supervisor at the Postal Service. One person had seen Bell perform at the Library of Congress a few days earlier and recognized him.
In an interview after the performance Bell says: The word doesn't come easily. ". . . ignoring me."
Weingarten concludes:
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